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etchings in the yale center for british artetchinghand-coloredyale center for british artjames gillrayisaac cruikshankrichard newtonjohn cawse
The Royal Academy, James Gillray, 1786
etchings in the yale center for british artjames gillray
The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees, Isaac Cruikshank
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John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789
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Blindmans-Buff - or - Too Many for John Bull, James Gillray, 1795
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The In's and the Outs of the Jesuits Treatment of his Friends, Richard Newton, 1797
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Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots", James Gillray, 1798
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A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..., James Gillray, 1780
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A Sun Setting in a Fog, With The Old Hanover Hack Descending, James Gillray, 1783
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The Irish Bull broke Loose, Isaac Cruikshank, 1799
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A Dash Up St. James's Street, James Gillray, 1797
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General Mack, Scampering Back!, Isaac Cruikshank, 1799
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A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
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The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
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Dainty Nice Sprats, Ho!, Richard Newton, 1792
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Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
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Political Boxing; or an Attack, at the Woolsack, Richard Newton, 1792
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Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
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A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
No Flower that Blows, Is Like this Rose, James Gillray, 1796
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
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Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
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A Portrait ------------, James Gillray, 1799
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The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
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New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite, James Gillray, 1798
etchings in the yale center for british artjames gillray
John Bull Ask'd at Saint Stephens, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm, Richard Newton, 1792
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A Political Wil'O The Wisp, Richard Newton, 1795
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The Near in Blood, the Nearer Bloody, Isaac Cruikshank, 1793
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John Bull Ground Down, James Gillray, 1795
etchings in the yale center for british artjames gillray
Patern-Staff - Weymouth, James Gillray, 1797
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The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone, James Gillray, 1797
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The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes, Isaac Cruikshank, 1792
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Ancient Music, James Gillray, 1787
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The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4), Isaac Cruikshank, 1791
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The Illustrious Lover of the D. of Cumberland Done Over, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Design for the New Gallery of Busts and Pictures, James Gillray, 1792
etchings in the yale center for british artjames gillray
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Natural Crop; - Alias - A Norfolk Dumpling, James Gillray, 1791
etchings in the yale center for british artjames gillray
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
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Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
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Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782
etchings in the yale center for british artjames gillray
Extirpation of the Plagues of Egypt, James Gillray, 1798
etchings in the yale center for british artjames gillray
The English Regency, James Gillray, 1789
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A Warm Birth for the Old Administration -----, James Gillray, 1783
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The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
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The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
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A Salt Water Salute, Richard Newton, 1794
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John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
The States of the Bowels; or a Fashionable Disorder!, John Cawse, 1794
etchings in the yale center for british artjohn cawse
The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
A Sketch from Highlife, Richard Newton, 1791
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Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791
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The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1791
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The Grand Review on Sydenham Common, Isaac Cruikshank, 1792
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The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
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The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
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Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
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A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
John Bull Triumphant, James Gillray, 1780
etchings in the yale center for british artjames gillray
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
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The Chancellor of the Inquisition Marking the Incorrigibles, James Gillray, 1793
etchings in the yale center for british artjames gillray
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
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Miss Hibernia at John Bulls Family Dinner, Isaac Cruikshank, 1799
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The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
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Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
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A Present of a Haunch of Venison!, Richard Newton, 1796
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A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
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How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
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The First of April or, A Meeting of Creditors, Samuel Collings, 1785
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A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
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Les Sacrefices Forces, Isaac Cruikshank, 1789
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Enjoying an Old Friend, Richard Newton, 1795
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The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
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Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
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The April Fool or The Follies of a Night ---, James Gillray, 1786
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Patriotism, Richard Newton, 1794
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John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1794
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The Libertine Reclaim'd or John Bull Bullied, Richard Newton, 1792
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The Sleep-Walker, James Gillray, 1795
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Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
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Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
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Devils - Parson Shooting, John Cawse, 1800
etchings in the yale center for british artjohn cawse
An Old Grudge, Richard Newton, 1795
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Field Marshall Count Suwarrow-Rominskoy ---, James Gillray, 1799
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The National Assembly Petrified _________/The National Assembly Revivified, James Gillray, 1792
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An Epilogue - to the Way to get Married, Isaac Cruikshank, 1795
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The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia, Isaac Cruikshank, 1794
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Doctor Sangrado Relieving John Bull of the Yellow Fever, Isaac Cruikshank, 1795
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Favorite Guinea Pigs Going to Market, Isaac Cruikshank, 1795
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John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793
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Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
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God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
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The Prince at Grass --- The Prince in Clover, James Gillray, 1787
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Sin, Death, and the Devil, James Gillray, 1792
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Vices overlook'd in the New Proclamation, James Gillray, 1792
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Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
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Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
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